By Sandra Frederick
Looking for a way to shake the holiday blues? What you need is a trip to the Waterfront Playhouse to see the hilarious “Noises Off,” a comic play written by Michael Frayn and directed by Danny Weathers.
The talented cast includes David Black, Brandon Beach, Carolyn Cooper, Matt Hollis Hulsey, Tony Konrath, Erin McKenna, J. B. McLendon, Joan O’Dowd and Susannah Wells. The impressive two-level set was designed by the Waterfront’s resident set designer, Michael Boyer.
“Noises Off” is presented in three acts that is essentially a 125 minute play within a play entitled “Nothing On.” It offers up a unique and thigh- slapping comical view into what goes on backstage.
From the minute the curtain rises, the director yells critiques from the back of the theater (not always pleasant), doors start slamming and small peals of laughter begin to fill the air. There could be a moment of confusion among showgoers if they are unaware of the theme of the play.
“Nothing On” is the type of play in which women run about in their underwear, old men drop their trousers and every door (of which there are plenty) and a set of windows continually bangs open and closed as the cast crisscrosses the stage. It is set in a 16th century British mill that has been renovated with the fictional playwright being named Robin Housemonger.
Act I introduces the cast and crew during a spectacularly bad dress rehearsal for “Nothing On.” The actors struggle with getting their lines, cues, entrances and exits right, as well as keeping track of the many plates of sardines that go on and off the stage. Brooke Ashton (Erin McKenna) crawls along the floor comically searching for her lost contact lens, setting up for a hilarious tip-toeing of all the charac- ters on stage. It’s a typical train wreck of a production that keeps the audi- ence stopped and starting right along with the actors on stage. And, there’s a hefty dose of adult language tossed freely about. It’s the longest of the three acts at 55 minutes, but no one notices with the fast pace of the show.
Act II takes place a month into the run. The entire set revolves 180 degrees, and the audience watches what has been going on backstage during the show in Act I. Pure chaos ensues and most will be left wonder- ing how exactly the actors ever got
on stage in the first place. The act is riddled with hysterical physical alter- cations, pratfalls and missing props. Watch carefully, though, or you might miss a laugh or two with the charac- ters entering and leaving rather quick- ly during the 40 minutes of Act II. During Act III, the production descends into complete and frenzied bedlam with actors falling all over the place and the audience rolling with contagious laughter as trousers fall, sardines fly and the whiskey bottle is tossed about as the show lives up to its billing. “Noises Off” cannot be missed this holiday season! The show is set to run through Jan. 10. For tickets, call the box office at 305-294-5015, or go to WaterfrontPlayhouse.org.
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Another difference in On The Edge productions is the time.
The Award winning Waterfront Playhouse on Mallory Square, is please to announce their Main Stage series. "With the theatre located Main Stage of the water as well as most productions chosen and designed to be performed Main Stage of the stage, it seemed like a winning title", said Managing Artistic Director Tom Thayer. Although a few productions, such as the upcoming musical The Rocky Horror Show will have more production value, the majority of productions, such as Lady Day at Emerson's Bar and Grill, The Informer, Bash, and Trunk Material 2 are created and designed to be performed simply.
Another difference in Main Stage productions is the time.